Easing + Rhythm
Every move on one curve family — entrances earn attention, exits get out of the way.
Case Study — 03 / 06 · Motion
Film title sequence.
Born To Lose ’68 — selected surfaces, end-to-end.
Watch reel · 0:30Status
2023
shipped & live
Scope
End-to-end
design through delivery
Case study
In progress
full numbers landing soon
Discipline
Motion
led solo
Scroll to step through · 01 / 04
The category all looks the same,
on purpose.
Before Born To Lose ’68, the field defaulted to the same safe moves — same palettes, same voices, same shapes. Blending in was the real risk.
Different isn't a style,
it's a decision.
The opening for Born To Lose ’68 wasn't louder execution — it was a sharper point of view, committed to early and held all the way through.
One system, every surface,
no exceptions.
Born To Lose ’68 got a single operating system — type, color, motion, and rules — applied without compromise from the first sketch to the final shipped surface.
Shipped, live, and working
harder than it looks.
Born To Lose ’68 launched in 2023 and has been doing its job since. The full numbers and process notes are being written up now.
04 craft surfaces · timing, type,
transitions, delivery
Every move on one curve family — entrances earn attention, exits get out of the way.
The identity's display voice animated without breaking its rules.
Cuts, wipes, and morphs that carry meaning — nothing moves without a reason.
Mastered for every surface — broadcast, social, and in-product, loop-safe.
06 hero frames · titles, loops,
social, in-app
Solo project · full credits
landing with the write-up
Credits
Recognition
Recognition and press notes for Born To Lose ’68 are being compiled — this case study is actively being written.
Said about the work
It's the rare designer who can both design the system and build it. This is both.
Also said
"Looked like a team shipped it." — a client, after launch
"The details held up everywhere we looked." — a peer, in review